Zoltán Kodály - method developed by Kodály, his colleagues and his students (not him alond) evolved under his inspiration and educational principles. None of the practices associated with Kodaly originated with him -- Tonic Sol-fa from England, rhythmic symbols from Chevé, hand signals an adaptation of English system of John Curwen, and other solfège techniques from Jacques-Dalcroze.
The Academy in Budapest became a training centre for teachers and the method has been adapted for use in other countries around the world, reflecting the different cultures.
Features
Publications & Materials
Contact Information
International Kodály Society
Ms Marta Vandulek, Executive Secretary
H-1364 Budapest
P.O.Box 67
Hungary
Phone/fax: (36-1) 343-4503
E-mail: kodalyzm@mail.matav.hu
Organization of American Kodály Educators
OAKE National Office
P.O. Box 9804
Fargo, ND 58106-9804
(701) 235-0366
(701) 241-7051 (FAX)
e-mail: oake@oake.org
http://www.oake.org/
Kodály Society of Canada
Registrar - Marge Littley
411 Powell St.
Victoria, B.C., V8V 2J3
http://cnet.unb.ca/achn/kodaly/
Kodály Music Education Institute of Australia | The British Kodály Academy | Zoltán Kodály Home Page | Liszt-Kodály Society of Spain |
Source: Comeau, Gilles. (1995). Comparing Dalcroze, Orff and Kodaly: Choosing Your Approach to Teaching Music. Vanier, ON: Centre Franco-Ontarien de Ressources Pédagogiques. (available in French)
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Updated March 22, 2000